The film wastes no time giving us answers to some of its biggest mysteries while also setting up even bigger questions in the first act that pay off in mostly interesting ways. Yet, the rabbit hole goes much deeper than that. With the Machines closing in on humanity, it’s up to heroes Bugs (Jessica Henwick) and a new, younger Morpheus (Yahya Abdul-Mateen II) to free Neo’s mind before it’s too late. The only problem is that Neo is actually Thomas Anderson, a shell of his former self who’s hooked on the blue pill and can’t remember his past life. This is my roundabout way of saying that it’s really difficult to talk about this movie’s plot without spoiling something…īut here goes: a new generation of runners are on a desperate mission to find Neo (Keanu Reeves), who is somehow back in the simulation despite his death in Revolutions. Sure, you’ve probably read plenty of online fan theories and speculation pieces that sound like they might be right, but I guarantee you that no one has guessed correctly. But just a day from release, The Matrix Resurrections‘ biggest secrets have been kept. Resurrections has remained surprisingly unspoiled through its months-long marketing campaign, a true rarity in a year that also saw the release of Spider-Man: No Way Home, arguably the leakiest movie in blockbuster history. The result is a sequel that’s as delightfully weird as it is satisfying, especially for those like myself who love Reloaded and Revolutions as much as the original. But ambitious is what a Matrix movie should be, and Wachowski takes incredibly big swings over the course of the film’s two and a half hour runtime. If Lana Wachowski’s love letter to Neo, Trinity, and Morpheus is guilty of anything, it’s that at times it is too ambitious for its own good and can’t quite stick the landing in the third act. Now, almost 20 years after the end of the original trilogy, how do we describe The Matrix R esurrections, a legacy sequel that’s at once a nostalgic look back at 1999 as well as a standalone continuation of Revolutions? Simply put: this is a love story, within an action movie, within a meta exploration of our obsession with nostalgia. Meanwhile, The Matrix Revolutions could best be described as a manga and anime-inspired mecha horror movie, an absolutely twisted conclusion to the story that feels like the Wachowskis’ answer to the equally controversial The End of Evangelion. But The Matrix sequels weren’t just more of the same: The Matrix Reloaded is in many ways a superhero fantasy with the kind of CG spectacle we take for granted in the Marvel age. We remember the original as a revolutionary cyberpunk action film that introduced audiences to “bullet time” and the “wire fu” action sequences of the East.
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